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PUBLICATIONS



ABZ, “Twenty Strangers”
Alaska Quarterly Review, “Long Distance”
Bacopa Literary Review, “Ghosts All,” “Scablands”
Café Review, "Intensive Care," "Head Full of Feathers"
Cascadia Review, “Twelve Bullets,” “Forget the City,” “Ghost Walking,” “Miles Ago,” “Small Town Love,” “Theory and Practice”
Catamaran, “The Shops”
chum, “Twenty Miles from Twenty Miles”
Concho River Review, “Baptized,” “Don’t Go,” “When What If Becomes the Answer”
Confrontation, “Drinking from the Sky,” “Vacant as the Sky”
Contrary, “How Gypsy Invented the Tease”   
Crab Creek Review, “I’ve Written You a Sunset”
Cutthroat, “Seduction” and “Nebraska Winter Storm Warning”
Fine Line,“Summer Vignette”, "Head Full of Feathers"
Fogged Clarity, “Vocation”
Front Porch, “Lilith”
Galley Winter, “In Wind that Keeps You Leaning,” “Looseleaf Memories,” “Ocean Beach,” “Redwing Highway
Hayden’s Ferry Review, “Exit and Fill,” “Police Statement”
Hermeneutic Chaos, “The Matchmaker’s Moths”
Hot Metal Bridge, “Taking Flight”
I-70 Review, “Placing Bets”
In the Blood: A Small Anthology, “Twelve Bullets,” “Angel of the Nowhere Hours,” “Snapshot”
Juxtaprose Magazine,“Blast,” “A Mother: Allegorically Represented in the Rearview”
The Louisville Review, “Trinity Prayer" (forthcoming, Fall 2022)
Los Angeles Review, “Seven Years in San Francisco,” “What Sings is the Drunk Boy’s Hands,” “May Flowers”
The Meadow, “Meditation in Sunburn,” “Reflections of Winter”
Minnetonka Review, “Independence Day,” “Burning & Breaking for Love,” “The 
Moon’s Silence”

MORIA, “Clumsy, Sexy, Soft”
Muse/A Journal, “Potential Vorticity”
Myth, anthology, Bunchgrass Press, “Afternoon Music,” “Static,” “Tomcat”
The New Yorker, “Sestina”
North American Review, “Through the Rain”
The Norton Introduction to Literature, edited by Kelly J. Mays, “Sestina”
Plains Song Review, “In the Birdless Field,” “High Heels,” “No Parachute,” “Toasting the Trickster to 35 Years”
Ploughshares, “Limerence”
Poemeleon, “No Farther West,” “Crescendo,” “Toasting the Trickster to 35 Years”
Poetry Salzburg Review, “Cormorant,” “Stockton Tunnel”
Poets.org, “Sestina”
The Practice of Creative Writing: A Guide for Students, 2/e, 3/e, edited by Heather Sellers, Bedford/St. Martin’s Press, “Sestina”
San Pedro River Review, “Caving In,” Vignettes of Limerence”, “It’s August Again” with S.J. Dunning, “How Many Horizons”, “Vegas in the Rearview,” “Teaching the Silence to Hurt,” “Grounded,” “I Am Not the Airport, I Am the Plane,” “Loose Leaf Memories,” “Moving Day,” “Netarts, OR,” “Self Portrait in January,” “The Tide Will Always Roll Back In,” “Torch It,” “Wreckage and Rebuild,” “Look and This City is Yesterday,” “Nebraska,” "This Far Under"
Slipstream, “Electric Like Lightning”
The Southern Review, “Deck of Hearts” and “Highway”
Suisun Valley Review, “Light,” “Depraved,” “No Amount of Letters & Numbers,” “San Francisco Love Story”
Tahoma Literary Review, “Upstairs, My Daughter Draws Jesus,” “Conductive Hearing”
THAT Literary Review, “Flawed Apertures,” “Fog Angels”
Thrush Poetry Journal, “Fuck Broken Dishes,” “Fall After Drought,” “Waiting for Nothing,”  
Tule Review, “Love’s Cartographers,” “What is Your Five Year Plan?,” “Words Like Fire”
Verse Daily, "Police Statement"
Weber: the Contemporary West, “Communion,” “Night Holds Its Own,” “Rats in the Dry Creek”
What Desire It Was: An Anthology, “Hold”
Yardsale: An Anthology, “Depression”
Yemassee, “A Monday, Probably”
COPYRIGHT CS 2022





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